Just as my Korg KDM-2 was giving up the ghost (after using it for more than 10 years) I was browsing for another replacement KDM-2 when lo and behold, I read online about the new KDM-3 metronome! Talk about being serendipitous. Needless to say, I ordered one straightaway.
In a previous post, I talked about the KDM-2, while in this post I postulated about what I would like to see in the KDM-3. Needless to say, part of my wish list has been fulfilled:
The KDM-3 now has an authentic metronome and bell sound, plus 7 other sounds! There is also a female voice which counts the beats.
It’s available in either black or white. Take your pick.
I read online that its sound is even louder than that of the KDM-2. I can’t verify this until I get my own unit. EDIT: Yes, the sound is just as loud, if not louder, than the KDM-2.
I’m not sure whether it accepts rechargeable batteries, but I will try. The KDM-3 needs 4 AAA batteries to function.
New in the KDM-3 is a Timer mode. You can program the metronome to stop after a length of time. Useful if you want to start practicing with it but have it stop at a predetermined time.
Unfortunately, there is still no back-lit display. And I wish Korg would include a pouch or case for it.
You can get further details of the KDM-3 at Korg’s USA website. I will update this post when I receive mine. Stay tuned.
EDIT: I received my KDM-3 today and am amazed that it’s so small and cute. It’s certainly less bulky than the KDM-2 and yes, it’s more aesthetically pleasing to look at. The thing I like best in this new KDM-3 is the authentic metronome and bell sound…although the electronic pulse sound from the KDM-2 is included too.
(Bottom) Adriana playing some very polished Chopin.
(Top) Maestros Loo Bang Hean and Ng Chong Lim playing Schubert.
Great afternoon concert at the PenangPAC (Performing Arts Center) on September 6, 2015. My student Vincent Ong played Mozart’s Sonata in B flat major K 333 and three of Chopin’s Op. 10 Etudes. Adriana Chiew played Chopin’s Andante Spianato et Grande Polonaise Brilliante Op. 22. Maestros Ng Chong Lim and Loo Bang Hean played the Schubert Fantaisie in F Minor for piano four hands, D 940.
(Top) The four performers with their bouquets after the recital ended.
(Below) Mrs. Fong presents a cheque to the Buddhist Tzu-Chi Merits Society of Malaysia.
(Top) The closing performance by the students of Digital Music—It Starts With Me.
This is the main title theme to the 1983 movie, Merry Christmas, Mr. Lawrence. I would like to thank my friend Susan P. for drawing my attention to this lovely music. It was composed by Ryuichi Sakamoto (who also starred in the film) who is perhaps more well-known for his music in another famous movie, The Last Emperor. Hope you enjoy this.
The piano teaching field is always unpredictable. Making a living out of it is a gamble, a risk. Like any other job, it has its ups and downs. I’ve had some wonderful students in the past but as my piano professors used to remind me—everything has a beginning and an end. No student, no matter how wonderful he or she is, is going to remain with a teacher forever. It’s a little sad when some students drop out for one reason or another; more so if they do so suddenly and I feel they have potential. Sometimes I click with a student, sometimes I don’t. And yes, at times they surprise me with stuff…like this new student who sent me this text. She was just shy and didn’t have a high opinion of herself, so I tried my best to coax her out of it by reassuring her that her piano playing would blossom and improve, given time. Getting this text from her meant a lot to me…at least I’m helping one student along and restoring her dignity to herself—she thought she’d lost it but it was always there, inside her…waiting to emerge.